Someone just showed a slide where they'd spelled "future proof" as "future poof"
A rather queer approach to business strategy, I'm sure you'll agree.
If and when I have a thought, and have ten minutes in the office, I might write mildly diverting thoughts here: about new media in real life, about the web, about the future. But mostly, I think, I'll just wiffle about nothing.
Someone just showed a slide where they'd spelled "future proof" as "future poof"
Among the audience | Economist.com: "Mr Diller concedes that ?all of the distribution methods get thrown up in the air, and how they land is, well, still up in the air.? Yet Mr Diller is confident that participation can never be a proper basis for the media industry. ?Self-publishing by someone of average talent is not very interesting,? he says. ?Talent is the new limited resource.?
?What an ignoramus!? says Jerry Michalski, with some exasperation. He advises companies on the uses of new media tools. ?Look around and there's tons of great stuff from rank amateurs,? he says. ?Diller is assuming that there's a finite amount of talent and that he can corner it. He's completely wrong.? Not everything in the ?blogosphere? is poetry, not every audio ?podcast? is a symphony, not every video ?vlog? would do well at Sundance, and not every entry on Wikipedia, the free and collaborative online encyclopedia, is 100% correct, concedes Mr Michalski. But exactly the same could be said about newspapers, radio, television and the Encyclopaedia Britannica."
"The controller's got X-Y-Z, pitch, roll, yaw, lateral motion detection. The controller uses bluetooth and wireless controls. It's lighter than the PS2 controller. This is interesting, because it suddenly makes Microsoft look like the odd man out on the motion-sensing controller front. "
"Unopened packets of retro detergent have become highly collectable and I have here a packet of PERSIL from 1978/79. It has a competition on it with a closing date of July 1979, and requests proof of purchase must date after 1 October 1978. Offered sealed."
SHARE
Ashley Highfield: He's the 'big picture guy'
The ability of sharing programmes, your own thoughts, your own blogs, your own home videos along with our content - creating YOUR space.
Working out what your friends are watching, exchanging views and comments, and actually sort of building bbc.co.uk around you.
Grant Bremner
The creative archive is basically a license - its a framework the BBC has created along with other partners - including the British Film Institute, Channel Four, the Open University - that allows the public to effectively download the content from the BBC that we make available for non commercial purposes, that they can use for their creative endeavors. So basically we're allowing the public to actually download our content and use it.
The BBC today unveiled radical plans to rebuild its website around user-generated content, including blogs and home videos, with the aim of creating a public service version of MySpace.com.
Mr Highfield said the share concept would allow users to "create your own space and to build bbc.co.uk around you", encouraging them to launch ther own blogs and post home videos on the site.
THE ORIGINAL CHINESE CONJUROR
A Musical Diversion Suggested by the Lives of Chung Ling Soo
Music: Raymond Yiu
Libretto: Lee Warren
Director: Martin Duncan
Designer: Francis O?Connor
Lighting Designer: Chris Ellis
Almeida Ensemble
Conductor: Timothy Redmond
59th Aldeburgh Festival
Southwold Pier, Suffolk
15th, 17th and 18th of June, 2006
See: http://www.aldeburgh.co.uk/events/event_listings/series_event_display.cfm?current_row=11&catref=59th%20Aldeburgh%20Festival
Almeida Opera Season 2006
Almeida Theatre, London
1st, 2nd and 7th of July, 2006
See: http://www.almeida.co.uk/index.cfm?id=conjuror
Before the performance on the 7th July at Almeida Theatre, there is a concert given by my friend, the counter tenor Andrew Watt, who also stars in the show.
See: http://www.almeida.co.uk/index.cfm?id=concerts2006